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Danse à Hokkaïdo

30 H x 15 L
bronze
original work of art
numbered from 1 to 8
” Mise en scene mobile or still, the sculptures play perspective and transparence. Particular care is brought to the presentation to become an element of decoration.

Equilibre

30 H x 15 L
bronze
original work of art
numbered from 1 to 8
“mise en scene” mobile or still, the sculptures play perspective and transparence. Particular care is brought to the presentation to become an element of decoration.

Equilibre

30 H x 15 L
bronze
original work of art
numbered from 1 to 8

“mise en scene” mobile or still, the sculptures play perspective and transparence. Particular care is brought to the presentation to become an element of decoration.

Sous la Neige

30 H x 15 L
bronze
original work of art
numbered from 1 to 8
 

“mise en scene” mobile or still, the sculptures play perspective and transparence. particular care is brought to the presentation to become an element of decoration.

Mobile Passants II

,

35 H x 25 W
bronze
original work of art
numbered from 1 to 8

Les Passants,

similarly to still images, “Les Passants” portrays the instantaneity of the quotidian, as they would through the lens of a camera. In a mobile or static staging, sculptures play with perspective and transparence, up to the superposition.

photo Vincent Girier Dufournier

Passant I – Mobile

,

40 H x 32 W x 4 to 24 cm
bronze
original work of art
numbered from 1 to 8

Les Passants,

similarly to still images, “Les Passants” portrays the instantaneity of the quotidian, as they would through the lens of a camera. In a mobile or static staging, sculptures play with perspective and transparence, up to the superposition.

photos©catherine vernet

3 Grands Passants

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150 H x 90 W x ( 10 to 90 D)
Mobile sculpture
patina for outside & interior
bronze
original work of art
numbered from 1 to 8

Les Passants,

similarly to still images, “Les Passants” portrays the instantaneity of the quotidian, as they would through the lens of a camera. In a mobile or static staging, sculptures play with perspective and transparence, up […]